William Melvin “Bill” Hicks (December 16, 1961 – February 26, 1994) was an American stand-up comedian and satirist. His humor challenged mainstream beliefs, aiming to “enlighten people to think for themselves.” Hicks used a ribald approach to express his material, describing himself as “Chomsky with dick jokes.” His jokes included general discussions about society, religion, politics, philosophy and personal issues. Hicks’ material was often deliberately controversial and steeped in dark comedy. In both his stand-up performances, and during interviews, he often criticized consumerism, superficiality, mediocrity and banality within the media and popular culture, describing them as oppressive tools of the ruling class, meant to “keep people stupid and apathetic.”
Hicks died of pancreatic cancer, which had spread to his liver, in 1994 at the age of 32. In the years after his death, his work and legacy achieved significant admiration and acclaim, of numerous comedians, writers, actors and musicians alike. He was listed as the 19th greatest stand-up comedian of all time by Comedy Central in 2004, and 6th greatest in 2007 and 4th greatest in 2010 by Channel 4.
Born in Valdosta, Georgia, Bill Hicks was the son of Jim and Mary (Reese) Hicks, and had two elder siblings, Steve and Lynn. The family lived in Florida, Alabama and New Jersey, before settling in Houston, Texas, when Hicks was seven. He was raised in the Southern Baptist faith, where he first began performing as a comedian to other children at Sunday School.
He was drawn to comedy at an early age, emulating Woody Allen and Richard Pryor, and writing routines with his friend Dwight Slade. Worried about his behavior, his parents took him to a psychoanalyst at age 17 but, according to Hicks, after one session the psychoanalyst informed him that “…it’s them, not you.”
In 1978, Hicks, along with friends Slade, Ben Dunn, John S. and Kevin Booth, began performing at the Comedy Workshop in Houston. At first, Hicks was unable to drive to venues independently and was so young that he needed a special work permit to perform. By the autumn of 1978 he had worked his way up to performing once every Tuesday night, while still attending Stratford High School. He was well-received and started developing his improvisational skills, although his act at the time was limited.
In 1986, Hicks found himself broke, but his career received another upturn as he appeared on Rodney Dangerfield’s Young Comedians Special, in 1987. The same year, he moved to New York City, and for the next five years he did about 300 performances a year. On the album Relentless, he jokes that he quit using drugs because “once you’ve been taken aboard a UFO, it’s kind of hard to top that”, although in his performances, he continued to extol the virtues of LSD, marijuana, and psychedelic mushrooms. He fell back to chain-smoking, a theme that would figure heavily in his performances from then on.
In 1988 Hicks signed on with his first professional business manager, Jack Mondrus. Throughout 1989, Mondrus worked to convince many clubs to book Hicks, promising that the wild drug- and alcohol-induced behavior was behind him. Among the club managers hiring the newly sober Hicks was Colleen McGarr, who would become his girlfriend and fiancée in later years.
In 1989 he released his first video, Sane Man. It was reissued in 2006.
In 1990, Hicks released his first album, Dangerous, performed on the HBO special One Night Stand, and performed at Montreal’s Just for Laughs festival. He was also part of a group of American stand-up comedians performing in London’s West End in November (or December). Hicks was a huge hit in the UK and Ireland and continued touring there throughout 1991. That year, he returned to the Just for Laughs festival and recorded his second album, Relentless.
Hicks made a brief detour into musical recording with the Marble Head Johnson album in 1992. In November (or December), he toured the UK, where he recorded the Revelations video for Channel 4. He closed the show with “It’s Just a Ride”, one of his most famous and life-affirming philosophies. Also in that tour he recorded the stand-up performance released in its entirety on a double CD titled Salvation. Hicks was voted “Hot Standup Comic” by Rolling Stone magazine. He moved to Los Angeles in early 1993.
Censorship and aftermath
Hicks was constantly facing problems with censorship. In 1984, Hicks was invited to appear on Late Night with David Letterman for the first time. He had a joke that he used frequently in comedy clubs about how he accidentally caused a fellow class-mate to become wheelchair bound. NBC had a policy that no handicapped jokes could be aired on the show, making his stand-up routine difficult to perform without mentioning words such as “wheelchair”. Hicks was disappointed that the TV audience didn’t get to experience the uncensored Bill Hicks that people saw in clubs.
On October 1, 1993, about five months before his death, Hicks was scheduled to appear on Late Show with David Letterman, his twelfth appearance on a Letterman late night show but his entire performance was removed from the broadcast — then the only occasion where a comedian’s entire routine was cut after taping. Hicks’ stand-up routine was removed from the show allegedly because Letterman and his producer were nervous about Hicks’ religious jokes. Hicks said he believed it was due to a pro-life commercial aired during a commercial break. Both the show’s producers and CBS denied responsibility. Hicks expressed his feelings of betrayal in a letter to John Lahr of The New Yorker. Although Letterman later expressed regret at the way Hicks had been handled, Hicks did not appear on the show again. The full account of this incident was featured in a New Yorker profile by Lahr, which was later published as a chapter in Lahr’s book, Light Fantastic.
Hicks’ mother, Mary, appeared on the January 30, 2009, episode of Late Show. Letterman played Hicks’ routine in its entirety. Letterman took full responsibility for the original censorship and apologized to Mrs. Hicks. Letterman also declared he did not know what he was thinking when he pulled the routine from the original show in 1993. Letterman said, “It says more about me as a guy than it says about Bill because there was absolutely nothing wrong with it.”
Cancer diagnosis and death
In April 1993, while touring in Australia, Hicks started complaining of pains in his side, and on June 16 of that year, he was diagnosed with pancreatic cancer that had spread to his liver. He started receiving weekly chemotherapy, while still touring and also recording his album, Arizona Bay, with Kevin Booth. He was also working with comedian Fallon Woodland on a pilot episode of a new talk show, titled Counts of the Netherworld for Channel 4 at the time of his death. The budget and concept had been approved, and a pilot was filmed. The Counts of the Netherworld pilot was shown at the various Tenth Anniversary Tribute Night events around the world on February 26, 2004.
After being diagnosed with cancer, Hicks would often joke openly at performances exclaiming it would be his last. Hicks performed the actual final show of his career at Caroline’s in New York on January 6, 1994. He moved back to his parents’ house in Little Rock, Arkansas, shortly thereafter. He called his friends to say goodbye, before he stopped speaking on February 14, and re-read J.R.R. Tolkien’s The Fellowship of the Ring. He spent time with his parents, playing them the music he loved and showing them documentaries about his interests. He died of cancer in the presence of his parents at 11:20 p.m. on February 26, 1994. He was 32 years old. Hicks was buried in the family plot in Leakesville, Mississippi.
On February 7, 1994, after his diagnosis with cancer, Hicks authored a short statement on his perspective, wishes and thanks of his of life, to be released after his death as his “last word”, ending with the words:
“I left in love, in laughter, and in truth and wherever truth, love and laughter abide, I am there in spirit.”
Hicks’s style was a play on his audience’s emotions. He expressed anger, disgust and apathy while addressing the audience in a casual and personal manner, which he likened to merely conversing with his friends, often making eye contact with individual audience members in smaller venues.
Hicks’s material was less focused on the everyday banalities of life and placed greater emphasis on philosophical themes of existence. He would invite his audiences to challenge authority and the existential nature of “accepted truth.” One such message, which he often used in his shows, was delivered in the style of a news report:
Today, a young man on acid realized that all matter is merely energy condensed to a slow vibration — that we are all one consciousness experiencing itself subjectively. There is no such thing as death; life is only a dream, and we are the imagination of ourselves… Here’s Tom with the weather! 
Another of Hicks’s most famous quotes was delivered during a gig in Chicago in 1989 (later released as the bootleg I’m Sorry, Folks). After a heckler repeatedly shouted “Free Bird”, Hicks screamed that “Hitler had the right idea, he was just an underachiever!” Hicks followed this remark with a misanthropic tirade calling for unbiased genocide against the whole of humanity.
Much of Hicks’s routine involved direct attacks on mainstream society, religion, politics, and consumerism. Asked in a BBC interview why he cannot do a routine that appeals “to everyone”, he said that such an act was impossible. He responded by repeating a comment an audience member once made to him, “We don’t come to comedy to think!”, to which he replied, “Gee! Where do you go to think? I’ll meet you there!” In the same interview, he also said: “My way is half-way between: this is a night-club, and these are adults.” 
Hicks often discussed conspiracy theories in his performances, most notably the assassination of President John F. Kennedy. He mocked the Warren Report and the official version of Lee Harvey Oswald as a “lone nut assassin.” He also questioned the guilt of David Koresh and the Branch Davidian compound during the Waco Siege.
Hicks would end some of his shows — and especially those being recorded in front of larger audiences as albums — with a mock “assassination” of himself on stage, making gunshot sound effects into the microphone and falling to the ground.
Arizona Bay and Rant in E-Minor were released posthumously in 1997 on the Voices imprint of the Rykodisc label. Dangerous and Relentless were also re-released by Rykodisc on the same date.
In a 2005 poll to find The Comedian’s Comedian, fellow comedians and comedy insiders voted Hicks #13 on their list of “The Top 20 Greatest Comedy Acts Ever”. Likewise, in “Comedy Central Presents: 100 Greatest Stand-ups of All Time” (2004), Hicks was ranked at #19. In March 2007, Channel 4 ran a poll, “The Top 100 Stand-Up Comedians of All Time,” in which Hicks was voted #6. Channel 4 renewed this list in April 2010, which saw Hicks move up 2 places to #4.
Devotees of Hicks have incorporated his words, image, and attitude into their own creations. Because of audio sampling, fragments of Hicks’ rants, diatribes, social criticisms, and philosophies have found their way into many musical works, such as the live version of Super Furry Animals’ “Man Don’t Give A Fuck”. His influence on Tool is well documented; he “appears” on the Fila Brazillia album Maim That Tune (1996) and on SPA’s self titled album SPA (1997), which are both dedicated to Hicks; the British band Radiohead’s second album The Bends (1995) is also dedicated to his memory. Singer/songwriter Tom Waits listed Rant in E Minor as one of his 20 most cherished albums of all time. The UK band Shack released an album in August 2003 quoting a Bill Hicks routine in the title: Here’s Tom With the Weather. The album also included other Bill Hicks quotes in the liner notes. English breakbeat artist Adam Freeland sampled Revelations for his track “We Want Your Soul.” Welsh punk rock band Mclusky reference a Hicks routine in the lyrics to their song “To Hell With Good Intentions”. Punk cabaret musician Amanda Palmer says, “I have my new Bill Hicks CD” in the song “Another Year” on her 2008 album Who Killed Amanda Palmer. The Swedish indie pop singer/songwriter Jens Lekman has written a song called “People who Hate People Come Together” after the same Hicks quote. The last track of The Kleptones album Yoshimi Battles the Hip-Hop Robots, Last Words (A Tribute), includes his “It’s just a ride” in its entirety.
Hamell on Trial’s 1999 album Choochtown includes the song “Bill Hicks,” featuring the lyric “I wish Billl Hicks was alive/I wish Bill Hicks had survived,” as well at the instrumental tribute “Bill Hicks (Ascension).”
Rappers Adil Omar and Vinnie Paz have also cited Hicks as an influence to their work; contemporary comedians David Cross and Russell Brand have stated that they were inspired by Hicks. Irish Independent columnist Ian O’Doherty is also a great admirer of Hicks.
On their 2009 album There Is No Enemy, Built To Spill released the song “Planting Seeds” with the lyrics “I’ve heard that they’ll sell anything and I think they might…I think Bill Hicks was right…about what they should do.” referring to his stand up routine which asks marketers to kill themselves. The song title refers to a bit in the same routine when Bill explains, “Just planting seeds here, folks.”.
The British film Human Traffic referred to him as the “late prophet Bill Hicks,” and portrays the main character, Jip, watching Hicks’ stand-up before going out to “remind me not to take life too seriously”. Hicks even appears in the comic book Preacher, in which he is an important influence on the protagonist, Rev. Jesse Custer. His opening voice-over to the 1991 Revelations live show is also quoted in Preacher‘s last issue.
The British actor Chas Early portrayed Hicks in the one-man stage show Bill Hicks: Slight Return, which premiered in 2005.
On February 25, 2004, British MP Stephen Pound tabled an early day motion titled “Anniversary of the Death of Bill Hicks” (EDM 678 of the 2003-04 session), the text of which was as follows:
|“||That this House notes with sadness the 10th anniversary of the death of Bill Hicks, on 26th February 1994, at the age of 32; recalls his assertion that his words would be a bullet in the heart of consumerism, capitalism and the American Dream; and mourns the passing of one of the few people who may be mentioned as being worth [sic] of inclusion with Lenny Bruce and George Carlin in any list of unflinching and painfully honest political philosophers.||”|
Film and documentary
A film about Hicks’ life and career, rumored to be directed by Ron Howard, is said to be in pre-production. Russell Crowe has been mentioned as one of the producers and may portray Hicks as well.
A documentary entitled American: The Bill Hicks Story, based on interviews with his family and friends, premiered on March 12, 2010, at the South by Southwest Film Festival in Austin, Texas. The film has gone on to screen at multiple festivals including SxSW, London Film Festival and Sheffield Doc/Fest.