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“Maylee Todd is a dynamic and multi-faceted artist, based in Toronto. Her creativity derives its inspiration from a wide range of artistic disciplines: songwriting, production, film, performance art, and design. Maylee’s music combines organic and electronic forms, including elements of boogie, bossa, space funk, psychedelia and soul. She is truly a free spirit who brings all of these seemingly disparate influences into honest, soulful, harmonious yet uncompromising vibrations.
In 2010, Maylee released her debut album Choose Your Own Adventure. The album received glowing reviews from the likes of NOW Magazine and The Globe and Mail. In 2012 single Hieroglyphics from new album Escapology (2013 Do Right Music) has already received worldwide airplay from BBC Radio 1 London, to KCRW in L.A. and J-Wave in Tokyo. Maylee has also composed original music for the film “Lullaby for Lucious & Sumat” which premieres at Cinequest Film Festival 2013 in San Jose.
Amongst sharing the stage with the likes of Janelle Monae, Lee Fields, Aloe Blacc, Little Dragon, and The Budos Band, Maylee has toured in Europe, Transmusicales (Rennes, France), c/o pop (Cologne, Germany), Pop Montreal, Hillside Festival and in her home city of Toronto at Harbourfront Centre. When’s not busy touring, she performs with the monthly Motown-themed event The Big Sound alongside 30 other musicians and vocalists. She also collaborates and performs in the electronic dance outfit Ark Analog. Notably Maylee has recently developed a solo-electronic alter-ego persona called Maloo wherein she programs her own beats and rhythms primarily on a sequencer.
In concert, Maylee delivers a diverse repertoire of soulful tunes with an infectiously charismatic and joyful stage presence, full of warm humour and a performance art aesthetic. More than just a concert, Maylee Todd live is a creative experience that leaves an indelible impact.” -from mayleetodd.com
“The Tenori-on is an electronic musical instrument designed and created by the Japanese artist Toshio Iwai and Yu Nishibori of the Music and Human Interface Group at the Yamaha Center for Advanced Sound Technology. It consists of a hand-held screen in which a sixteen-by-sixteen gridof LED switches are held within a magnesium plastic frame. Any of these switches may be activated in a number of different ways to create sounds. Two built-in speakers are located on the top of the frame, as well as a dial and buttons that control the type of sound and beats per minute produced.” - from wikipedia
Postmodernism: what the heck is it and what does it have to do with cats and our perception of reality?
Having been taking photographs around Toronto lately using funky filters on my cheap indestructible smartphone camera (a knockoff Blackberry Motorola running Android)—no one else seems to own nor want to have—I have been enjoying the strange perceptions it’s given me, regarding light and how we view things–in my case the city, its architecture, its denizens and both its daytime and nighttime responses to light; or lack thereof.
After posting some of these shots online, I’ve received feedback such as: “What a crappy filter!” “Stop, that’s not reality!” “Why do you do that?!” “Is your camera broken?”
I like the perspective they give, I am not trying to be a true photographer; nor even claiming any sort of artistic license–although I guess those are simply granted by others if they appreciate/are emotionally affected by, what I am trying to capture or show with what I take pictures of, and the manner in which I take them. A ‘true photographer’ by my definition, is one able to replicate on demand, one who possesses the esoteric knowledge of depth of field, film speeds and what they alter, one who is capable of retaking the shot they took a year ago in almost any environmental condition, and the intelligence, education, skill and practice necessary for all of this. I possess none of these, and may never achieve this calibre of mastery, as I am one lazy sonofabitch.
Funnily though, I had been pondering how people online talk about cats–how stupid they are, or how nonsensical their behaviour be (or mystical or spiritual or…whatever). Living with a cat—one I consider pretty damn sharp—I’ve noticed similar behaviour; such as chasing things I can not see, or staring into the distance…
But I understand that she has optical apparati completely different from mine. Sometimes I’m able to catch a slight glimpse of something moving–perhaps a headlight on the wall, or a tiny flying insect, or someone a few blocks away opening a window and reflecting a quick flash of light from the sun through my apartment. But at other times, I too am at a loss. But this, to me at least, makes me aware of the limitations of my eyes, not the “stupidity of an animal”. I’ve read in some places where people have spoken of folktales where cats were said to communicate with the dead–again, for the same reasons. This of course just leads to my disappointment in humanity and people not using the gift of reason that we have evolved to possess.
Interestingly though, all of this has a lot to do with a metaphor I use regarding postmodern thinking and analysis. Lenses. Lenses provide us with a particular perspective, while limiting our vision at the same time. This is true in most every human enterprise, but namely politics. As I have grown older, I realize that I am accumulating more and more lenses of perception. As I spontaneously meet and engage intellectually with more and more humans (something I love about living in downtown Toronto in 2013), I find myself able to identify with, if not agree with completely, many who hold very strong views about a multitude of issues. Many though, seem to fail to understand that they may merely disagree with those towards whom they profess eternal hatred and enmity, due to a different lens or two..or ten. Most every human endeavour, in my opinion, seeks excellence as well as the betterment of something someone (or some group) holds dear. Humans are not intrinsically evil, nor out to hurt others, without some sense of righteousness. Unless of course they are insane, but that is not to what I refer.
The video below too, (a small vignette of a great documentary series by Richard Hammond called ‘Invisible Worlds’ by the way) made me realize something about reality–so much of what we consider (perceive as) beautiful in this world (flowers for example), we are ONLY limited to perceive through a narrow band of the light spectrum.
This is also true for our sense of hearing. This is a recording of cricket chirps slowed down so their lifespans match those of humans–they now sound like some sort of ethereal hymnal choir:
Our senses limit us in SO many ways, and yet we rarely, if ever, speak to this–we do not tell this to our children. Human-conceived religions and gods and ponderances of our eternal purpose consistently have failed to mention, oh, by the way, most of this reality? —is not available with our software edition. This is actually one of the greatest reasons NOT to believe in God or Intelligent Design or whatever, but I guess the same explanation has been used throughout the world for the contrary argument.
Which all brings me to a vsauce segment. I am addicted to vsauce. It is such the intellectually pornographic injection of thought. He touches on so much, much of what I had been thinking and articulated above, and then some. I have actually made good friends with familiar strangers, just by saying ‘vsauce’ to them instead of hello, on a regular basis.
Postmodern thinking asks you to ‘think outside the box’ but it assumes that you have in fact perceived the existence of a box. This perception requires an awareness of lenses in order that one can become aware of all kinds of boxes, and bubbles and biases; outside of which may just be other realities and dimensions you are unable, or have yet, to perceive.
“London Grammar are a British trip hop trio formed by Hannah Reid, Dot Major and Dan Rothman. Their début EP Metal & Dust was released in February 2013 by Metal & Dust Recordings Ltd. Their début album If You Wait was released on 9 September 2013. ” - WIKIPEDIA
“Philman George aka The Rhyming Chef
Creative, Positive, Magnetic – Chef and Emcee
Philman George aka The Rhyming Chef takes the elements of Hip Hop Culture and fuses them with Culinary Arts. This veteran Emcee and professional Chef has several internationally broadcasted cooking & lifestyle shows including The Rhyming Chef Barbuda and Food & Drink TV. He also holds a diploma in Culinary Management and has a Red Seal, which certifies him to cook anywhere in the world. His skills have taken him overseas to Australia and the Caribbean where he usually resides during the cold winter months. When he’s not traveling the world or performing his craft live on stage, he can be found cooking up a storm at the prestigious Mississauga Golf & Country Club. For more info visit his website www.therhymingchef.com“
If only all of highschool were taught this way.
[PHOTOGRAPHY] Making Love To Toronto — Part Five: THE ROUGE RIVER VALLEY; the only national park located within a city
These photographs were taken in October 2013.
The title references how Urban Planners are encouraged to “Make Love to your City”, an exhortation to observe and appreciate it from different perspectives; physically as well as emotionally, intellectually and historically-well at least that’s my own definition. (more…)